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"Zemeckis' signature style is much in evidence, from the dynamic camerawork of the director's longtime collaborator Don Burgess to the propulsive use of Alan Silvestri's big, old-fashioned orchestral score and the lavish detailing of Gary Freeman's period production design. And the extensive CG work — a far cry from the artisanal prosthetics and makeup overseen by Jim Henson in the Roeg film — is playful without taking over.........."

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